Free and open to the public
Since the mid 1990s, a number of Chinese artists have incorporated the visual vocabulary of Chinese opera into new art forms.
During the Ming (1368–1644) and Qing (1644–1911) dynasties, opera lay at the heart of Chinese social and ritual life.
Chicago-based artist Judy Ledgerwood creates an immense, site-specific wall painting for the Smart Museum.
This exhibition traced the relationship between the emerging generation of avant-garde movements in 1950s France and the surrealist movement, re-established in Paris after the war.
In the late 1960s and early 1970s, when the Imagists exhibited in Chicago and abstract painting held sway in New York, a distinct strain of avant-garde and conceptual art emerged in California.
This intimate exhibition examines the Renaissance fascination with wings as symbols of speed and power.
In his site-specific banner commissioned for the Smart Museum’s courtyard, Zachary Cahill questions whether art has the power to make us well.
Tracing a chronological arc of almost a century, this exhibition showcases both familiar and lesser-known works from the Smart Museum’s collection of American art.
The achievement of Franco-Russian painter Serge Charchoune (1889–1975) is among the least widely known or understood in twentieth-century European art.
Since 1989, the influential Delhi-based Sahmat has offered a platform for artists, writers, poets, musicians, actors, and activists to create and present works of art that promote artistic freedom and celebrate secular, egalitarian values.