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not all realisms features photography in and of South Africa, Ghana, and Mali in the long 1960s—amid resistance, revolution, new nationalist and transnational movements, and the stuff of daily life therein.
Passion, violence, and virtue emerge in this exhibition as fundamental, intertwined elements in the artworks of Renaissance Europe.
Presented in conjunction with the 40th anniversary of the MacArthur Fellows Program, this multi-site exhibition uses the idea of “the commons” to explore the current socio-political moment, in which questions of inclusion, exclusion, ownership, and rights of access are constantly being challenged across a wide array of human endeavors.