Physically closed, virtually open »
Where can we turn when we need space and time away? Organized by UChicago students, this exhibition presents a range of public, private, and imagined settings—from lush gardens in France, to shadowy hallways, to kaleidoscopic landscapes—that point to realms of retreat.
Meleko Mokgosi’s twenty-panel painting installation explores the theme of feminism in the context of southern Africa.
This outdoor sound art exhibition presents site-specific works by nine Chicago artists that explore thresholds, passageways, and common spaces across the University of Chicago’s campus.
In his first U.S. museum exhibition, Samson Young premieres a trilogy of animated music videos that explores varying concepts of social progress and utopia.
This exhibition explores how issues of Latin American and Latino/a identity and place are manifest in the practices of artists working in Chicago and Havana.
American artist Tara Donovan transforms mundane materials like plastic straws, index cards, rubber bands, Slinkys, and sheets of mylar into elaborate, mind-bending objects.
This major exhibition offers new perspectives on the significant contribution that African American artists have made on the evolution of visual art in the modern era.
Presented as primary source material for the Social Sciences course sequence “Self, Culture, and Society,” this exhibition considers how selfhood has been variously constructed and performed by visual artists in the modern era, with particular attention to gender and sexuality, race and ethnicity, and intersectional identities.
During the 1960s and 1970s, Chicago was shaped by art and ideas produced and circulated on the South Side.
Tang Chang's first solo exhibition outside of Thailand traces the development of his singular style of gestural abstraction and his eventual rejection of painting in favor of “poetry-drawings.”