This exhibition explores how issues of Latin American and Latino/a identity and place are manifest in the practices of artists working in Chicago and Havana.
This major exhibition offers new perspectives on the significant contribution that African American artists have made on the evolution of visual art in the modern era.
Presented as primary source material for the Social Sciences course sequence “Self, Culture, and Society,” this exhibition considers how selfhood has been variously constructed and performed by visual artists in the modern era, with particular attention to gender and sexuality, race and ethnicity, and intersectional identities.
During the 1960s and 1970s, Chicago was shaped by art and ideas produced and circulated on the South Side.
Tang Chang's first solo exhibition outside of Thailand traces the development of his singular style of gestural abstraction and his eventual rejection of painting in favor of “poetry-drawings.”
Expanding Narratives uses the formal relationship between the figure and the ground in art history as a conceptual springboard into discussions around visual representation, the museum space, and the role of the Smart Museum’s collection in fostering the exchange of diverse perspectives.
As part of Expanding Narratives, this presentation explores how printmaker Félix Buhot dissolved classic distinctions between figure and ground in ways that challenge the limits of the etching medium.
Presented in connection with a University of Chicago course, this exhibition samples a selection of themes that have defined artmaking in Chicago.
This intimate display serves as primary source material for an Art History course and includes the entirety of Jacques Callot’s portfolio The Large Miseries of War.
This exhibition explores questions of perception and bodily sensation in connection to a course offered through the University of Chicago.