Free and open to the public
Covering a millennium of Islamic history in regions extending from Spain to India, this comprehensive exhibition surveyed the extraordinary range and visual virtuosity of one of the world's great artistic traditions.
When the traditional art of the Japanese color woodblock print was pushed near extinction at the turn of the twentieth century, a few enterprising young artists and publishers revived the old-fashioned art form.
This exhibition of paintings, drawings, and prints from the private collection of Stephen and Elizabeth Crawford and from the Smart Museum surveyed the artistic currents of German-speaking lands in nineteenth-century.
This exhibition looked at the “Modernisms” that together contributed to the richness of life in Germany and Austria during a remarkable period of cultural redefinition, social transformation, and political reorganization.
The diminutive engravings and woodcuts made by northern European artists in the first half of the sixteenth century may not be monumental in scale, but they contributed to nothing less than a revolution in printmaking.
Featuring paintings, sculpture, woodblock prints, temple maps, sutras, and religious talismans collected between 1886 and 1892 by Edmund Buckley, this exhibition delved in to the history of museum collections and religious studies at the University of Chicago.
This exhibition, organized by the Yale University Art Gallery, provided a compelling survey of European draftsmanship, with masterworks by Gian Lorenzo Bernini, Edgar Degas, Guercino, Jacob Jordaens, and Jean-Antoine Watteau, among many others.
This exhibition combines prints, paintings, drawings, sculptures, as well as music from nineteenth-century France to examine the habits and fashions associated with looking and listening.
For forty years, the self-taught artist Henry Darger lived and worked in a cluttered one-bedroom apartment on Chicago’s North Side.