Free and open to the public
This landmark exhibition takes a fresh look at the art of Japan’s Meiji era (1868–1912), four remarkable decades that propelled the country into the modern era.
This exhibition positions Ruth Duckworth as an innovative Chicago sculptor, deeply engaged in the natural world and responding to artistic developments in the U.S. in the 1960s and 70s.
This exhibition examines the practice of poetry as a form of communication, linguistic innovation, political performance, and embodied presence—considering how poetry can be a lens for understanding humanity.
This small, focused exhibition celebrates the work of Ted Stamm (1944–1984), an artist whose gregarious practice expanded abstract painting into his everyday life.
Calling on the Past invites visitors to experience the Smart Museum’s collection anew, through a sensory exploration of color, texture, and form.
not all realisms addresses photography in the context of Africa’s long 1960s—amid resistance, revolution, new nationalist and transnational movements, and the stuff of daily life therein.
The Metropol Drama proposes another way of looking at our aesthetic, economic, and emotional history—an amalgam we call “cosmopolitanism.”
This exhibition traces “the monochrome” as a fundamental if surprisingly expansive artistic practice.
Haegue Yang’s newly commissioned artwork—the artist’s first large-scale installation in Chicago—dislodges venetian blinds from their typical function as window coverings to create a monumental white grid suspended in front of a soaring blue wall in the Smart Museum’s lobby.
Organized by the Feitler Center for Academic Inquiry, this presentation features clusters of artworks that were selected for individual courses across disciplines at the University of Chicago—ranging from “Art and Feminism” to “Seeing Through Drawing.”