Closed for Installation

The Smart will be closed July 14 - September 22

Free and open to the public

 
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Past Exhibitions

Carved, Cast, Crumpled: Sculpture All Ways

September 27–December 21, 2014

This immersive exhibition investigates the essential qualities of three-dimensional art across historical and cultural contexts, questioning what it means to be in the presence of an object.

Serial Drawings: Robert Barnes, Barbara Rossi, Robert Lucy

July 1–August 31, 2014

This collection-based exhibition considers three sets of drawings by three generations of artists associated with Chicago

Imaging/Imagining: The Body as Art

March 25 – June 22, 2014

Organized by physicians at the University of Chicago, this exhibition gathers images of the body from a range of historical periods

Inspired by the Opera: Contemporary Chinese Photography and Video

February 13–June 15, 2014

Since the mid 1990s, a number of Chinese artists have incorporated the visual vocabulary of Chinese opera into new art forms. 

Performing Images: Opera in Chinese Visual Culture

February 13 – June 15, 2014

During the Ming (1368–1644) and Qing (1644–1911) dynasties, opera lay at the heart of Chinese social and ritual life.

Detail of Chromatic Patterns

Judy Ledgerwood: Chromatic Patterns for the Smart Museum

December 26, 2013–June 21, 2015

Chicago-based artist Judy Ledgerwood creates an immense, site-specific wall painting for the Smart Museum.

Installation view of the exhibition

Interiors and Exteriors: Avant-Garde Itineraries in Postwar France

December 17, 2013 – March 16, 2014

This exhibition traced the relationship between the emerging generation of avant-garde movements in 1950s France and the surrealist movement, re-established in Paris after the war.

Robert Kinmont, 8 Natural Handstands (detail), 1969/2009

State of Mind: New California Art Circa 1970

October 3, 2013 – January 12, 2014

In the late 1960s and early 1970s, when the Imagists exhibited in Chicago and abstract painting held sway in New York, a distinct strain of avant-garde and conceptual art emerged in California.

Peter Flötner, Mars as a Sign of the Zodiac, c. 1540, Cast gilt bronze plaquette. Smart Museum of Art, The University of Chicago, Purchase, The Cochrane-Woods Collection, 1977.115.

Wings, Speed, and Cosmic Dominion in Renaissance Italy

September 3 – December 8, 2013

This intimate exhibition examines the Renaissance fascination with wings as symbols of speed and power.

Zachary Cahill: USSA 2012: Wellness Center: Idyllic—affair of the heart

August 23, 2013 – August 3, 2014

In his site-specific banner commissioned for the Smart Museum’s courtyard, Zachary Cahill questions whether art has the power to make us well.