Free and open to the public
This exhibition traced the complex trajectory of realist American sculpture from idealized classical forms to early modernism and again to a stylization associated with Art Deco.
An Old Master Painting Restored focused on the conservation of Girolamo da Santa Croce's King David, a sixteenth-century Venetian School portrait of the biblical king playing his lyre.
The eleventh annual group exhibition of work by recent graduates of the University of Chicago's Midway Studios featured a diverse selection of paintings, drawings, photographs, and sculpture.
A modern reexamination of classical themes and the heroic search for the self, this exhibition presented six oil and collage paintings from John Phillips's 78-piece series depicting scenes from Homer's Odyssey.
With over 100 sketches, models, costumes, notebooks, and masks, The Stage Is All the World celebrated the life and work of noted theatrical designer Tanya Moiseiwitsch.
31 collages highlighting Hannah Höch's innovative use of photomontage as an artistic medium.
This exhibition examined issues of artistic inspiration in photography and our relationship to antiquity.
Vessels of Meaning featured the works of twenty leading contemporary British ceramists, including Alison Briton, Ewen Henderson, Bernard Leach, and Janice Tchalenko.
This exhibition, as a complement to The German Print Portfolio, focused on the history of the woodcut and its development in early and modern German art and history.
A nationally touring exhibition organized by the Smart Museum, The German Print Portfolio examined the central role of the portfolio—a thematic set of images viewed sequentially—in Germany and Austria from 1890 to 1930.