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Past Exhibitions

Ecologies: Mark Dion, Peter Fend, Dan Peterman

July 6 – August 27, 2000

Projects from Mark Dion (born 1961), Peter Fend (born 1950), and Dan Peterman (born 1960)

Transforming Images: The Art of Silver Horn and His Successors

April 14 – June 11, 2000

This groundbreaking exhibition of Native American art featured ledger book drawings, an illustrated diary and calendar, and hide and muslin paintings made by Kiowa artist Silver Horn (1860–1940). 

Pious Journeys: Christian Devotional Art and Practice in the Later Middle Ages and Renaissance

March 14 – September 11, 2000

This exploration of medieval and Renaissance devotional practices featured a wide range of objects, including painted altarpieces, portable shrines, reliquaries, liturgical furnishings, and illuminated manuscripts. 

Surrealism in America During the 1930s and 1940s: Selections from the Penny and Elton Yasuna Collect

November 19, 1999 – March 12, 2000

This exhibition inaugurated the Smart Museum's new Richard and Mary L. Gray Gallery. Featuring artists such as Alexander Calder, Joseph Cornell, Man Ray Kay Sage, and Dorothea Tanning, Surrealism in America showed the pervasive influence of European surrealism in America while demonstrating artists' diverse responses to it. 

The Place of the Antique in Early Modern Europe

November 19, 1999 – February 29, 2000

This intimate exhibition presented paintings, sculpture, decorative arts, works on paper and books from fifteenth- to early nineteenth-century Europe, drawn from the museum's collection and supplemented by loans from important public and private collections.

Transience: Chinese Experimental Art at the End of the Twentieth Century

February 18, 1999 - April 18, 1999

This groundbreaking exhibition documented major trends in current Chinese experimental art (shiyan meishu), which is characterized by a strong desire to explore new territories in artistic expression

Space/Sight/Self

November 19, 1998 – January 10, 1999

This exhibition addressed contemporary portraiture as the nexus of three issues: visuality, location, and identity. 

Weimar Bodies: Fantasies About the Body in Weimar Art, Science and Medicine

November 4, 1998 – January 10, 1999

Weimar Bodies brought together art works and other kinds of images to explore the range of popular ideas about the human body in Weimar Germany

Blunt Object

September 11 - October 25, 1998

Blunt Object offered a humorous and fresh look at contemporary sculpture. 

Recent Acquisitions: Modern and Contemporary Art

August 25–October 18, 1998

This intimate exhibition showcased twentieth-century works acquired by the Smart Museum since 1996