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Chen Zhen, Crystal Landscape of the Inner Body, 2000, Crystal, glass, and metal. © 2019 Artists Rights Society (ARS), New York / ADAGP, Paris.
Past

The Allure of Matter: Material Art from China

Reconfigured presentation: July 24 – August 9, 2020

Since the 1980s, artists working in China have experimented with various materials, transforming seemingly everyday objects into large-scale artworks. These artists have exploded fireworks into paintings, felted hair into gleaming flags, stretched pantyhose into monochromatic paintings, deconstructed old doors and windows to make sculptures, and even skillfully molded porcelain into gleaming black flames.

Artists continue to explore and develop this creative mode, with some devoting decades of their practice to experiments with a single material. For the first time, The Allure of Matter: Material Art from China brings together works in which conscious material choice has become a means of the artists’ expression, representing this unique trend throughout recent history. The exhibition features 48 two- and three-dimensional works made from a range of unique and humble materials.

Reconfigured Chicago Presentation

In its original Chicago presentation, scheduled for February 7–May 3, 2020 but closed on March 14, 2020 due to COVID-19, the exhibition was divided into two halves, taking up the entire footprints of the Smart Museum of Art on the South Side and Wrightwood 659 on the North Side. The consolidated presentation at the Smart Museum in summer 2020 features a handful of works originally shown at Wrightwood 659.

Xu Bing, 1st Class, 2011, 500,000 “1st Class” brand cigarettes, spray adhesive, and carpet. Installation view at the Smart Museum of Art. Art © Xu Bing Studio.


Artists

Ai Weiwei, Cai Guo-Qiang, Chen Zhen, Gu Dexin, gu wenda, He Xiangyu, Hu Xiaoyuan, Huang Yong Ping, Jin Shan, Liang Shaoji, Lin Tianmiao, Liu Jianhua, Liu Wei, Ma Qiusha, Shi Hui, Song Dong, Sui Jianguo, Sun Yuan and Peng Yu, Wang Jin, Xu Bing, Yin Xiuzhen, Zhan Wang, Zhang Huan, Zhang Yu, and Zhu Jinshi.


Publication

The exhibition is accompanied by the first scholarly volume to examine Chinese art through the lens of materiality. The book features full color reproductions of all the works in the exhibition, artist profiles, and new essays that draw connections between Chinese art and the role of materials in global histories of art and contemporary practice. Available summer 2019. Published by the Smart Museum of Art and distributed by the University of Chicago Press.

Order the book


National tour


Top: Xu Bing, 1st Class, 2011, 500,000 “1st Class” brand cigarettes, spray adhesive, and carpet. Installation view at the Smart Museum of Art. Art © Xu Bing Studio.

Above: Chen Zhen, Crystal Landscape of the Inner Body, 2000, Crystal, glass, and metal. © 2019 Artists Rights Society (ARS), New York / ADAGP, Paris.

Curator
The Allure of Matter is co-organized by the Smart Museum of Art with Wrightwood 659 and the Los Angeles County Museum of Art, the Seattle Art Museum, and the Peabody Essex Museum. The exhibition is curated by Wu Hung, Smart Museum Adjunct Curator, Harrie A. Vanderstappen Distinguished Service Professor of Art History, and Director of the Center for the Art of East Asia at the University of Chicago, with Orianna Cacchione, Smart Museum Curator of Global Contemporary Art.

Support

The Smart Museum of Art’s presentation of The Allure of Matter is made possible by support from Alphawood Foundation Chicago.

Support for the exhibition and its catalogue has been provided by principal sponsors the E. Rhodes and Leona B. Carpenter Foundation and by Lorna Ferguson and Terry Clark. Additional support has been provided by the Elizabeth F. Cheney Foundation and the Museum’s SmartPartners.

The national tour of this exhibition is supported by The Andy Warhol Foundation for the Visual Arts.

Alphawood Foundation Chicago

Videos

Artist videos

gu wenda
gu wenda discusses collecting and using hair as a material in his ongoing united nations series.
He Xiangyu
He Xiangyu discusses the process of boiling tons of Coca-Cola and using it as a material in contemporary art.
Hu Xiaoyuan
Hu Xiaoyuan discusses the tension between the materials (silk, wood, and nails) that she uses in her sculptures.
Liang Shaoji
Liang Shaoji discusses “exploring time through the motif of silkworms” and using raw silk as a material in his art practice.
Lin Tianmiao
Lin Tianmiao discusses her personal connections to cotton thread and exploring its use as a material in contemporary art.
Liu Jianhua
Liu Jianhua discusses experimenting with ceramics and using it as a material in contemporary art.
Liu Wei
Liu Wei discusses picking through flea markets for old doorframes and windows to use as a material in his art practice.
Ma Qiusha
Ma Qiusha discusses using old nylon stockings and cement as materials in her Wonderland series.
Song Dong
Song Dong discusses painting with water and exploring water as a material across his artistic career.
Sui Jianguo
Sui Jianguo discusses experimenting with materials and the relationship between nails and rubber in his sculpture Kill (1996).
Yin Xiuzhen
Yin Xiuzhen discusses the transformation of Beijing in the late 1990s and experimenting with cement roof tiles as a material in her art practice.
Zhu Jinshi
Zhu Jinshi discusses experimenting with traditional xuan paper (‘rice paper’) and using it as a material in large-scale installations.
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