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James Tissot, The Fatted Calf, 1882, Etching on Van Gelder laid paper. Smart Museum of Art, The University of Chicago, Purchase, the Paul and Miriam Kirkley Fund for Acquisitions, 2011.109.5.
Past

Resurgence and Innovation: Artists’ Inspiration in Nineteenth-Century France

December 12, 2017 – March 18, 2018

The nineteenth century in France was a turbulent period featuring frequent political revolutions and rapid social and technological change. Many artists of that era responded to the tumult of contemporary life by turning to new subject matter, pictorial styles, and technical processes. At the same time, however, shifting historical currents forced a re-engagement with the art of the past.

This exhibition of 16 works in a variety of media explores the eclectic range of sources and precedents—from the very ancient to the most up-to-date—that served as inspiration for nineteenth-century artists in France: photographers documenting medieval monuments, printmakers producing scenes of modern leisure, painters reflecting on their creative practice through the lens of classical mythology, and more.

Organized by a trio of students who participated in the spring 2017 course The Past Resurgent in Nineteenth-Century Art, it is one of several concurrent exhibitions that showcase the ways in which the Smart Museum of Art engages with and shares the intellectual life of the University with the broader public.

Curator
This exhibition was organized by Charline Fournier Petit, Elizabeth McClafferty, and Alexis Wells, University of Chicago students who participated in the spring 2017 course The Past Resurgent in Nineteenth-Century Art taught by Anne Leonard, Interim Senior Director of Academic and Curatorial Initiatives and Curator of European Art, Smart Museum of Art.
Support

Support for this exhibition has been provided by the Smart Museum of Art’s Andrew W. Mellon Foundation Endowment and by the Museum’s SmartPartners.

Presented in the Edward A. and Inge Maser Gallery
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