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Monochrome Multitudes

September 22, 2022 – January 8, 2023

This exhibition traces “the monochrome” as a fundamental if surprisingly expansive artistic practice. Revisiting classic modernist ideas about flatness, idealized form, and colors, Monochrome Multitudes opens up this seemingly reductive art to reveal its global resonance and creative possibilities while working toward a more expansive narrative of 20th and 21st century art.

Within the exhibition, art is presented in monochromatic groupings—rooms of blue, white, yellow, gray, black, and red works respectively—alternating with thematic sections where single colors engage concerns with the body, urban space, sound, and other topics. Switching between these two types of spaces, the exhibition suggests that works that look alike are often quite different, and that works that look different can share historical, thematic, or conceptual propositions. Throughout, Monochrome Multitudes engages North American art in a global dialogue and emphasizes the significance of multiple media ranging from weaving to wall-painting to video, and multiple materials including footballs, pantyhose, and Vinylite.


Artists

Monochrome Multitudes features works by Magdalena Abakanowicz, Mary Abbott, Josef Albers, Alphonse Allais, Lynda Benglis, Ernő Berda, Mark Bradford, Alexander Calder, Enrico Castellani, Alan Cohen, Bethany Collins, Barbara Crane, Carlos Cruz-Diez, Jaime Davidovich, Walter De Maria, José de Rivera, Roy DeCarava, Beauford Delaney, Laddie John Dill, Charles and Ray Eames, Lucio Fontana, Helen Frankenthaler, Theaster Gates, Frank Gehry, Felix Gonzalez-Torres, Wade Guyton, Irena Haiduk, David Hartt, Arturo Herrera, Carmen Herrera, Sheila Hicks, Jörg Immendorff, Lotte Jacobi, Derek Jarman, Rashid Johnson, Jennie C. Jones, Samuel Levi Jones, Ellsworth Kelly, Byron Kim, Lyman Kipp, Yves Klein, Yayoi Kusama, Tadaaki Kuwayama, Kwon Young-woo, Lee Ufan, Marilyn Lenkowsky, Ma Qiusha, Sally Mann, Allan McCollum, Manfred Mohr, Linda Montano, Mun Pyung, Louise Nevelson, Barnett Newman, Jules Olitski, Palermo, Palermo & Gerhard Richter, Dan Peterman, Francis Picabia, John Plumb, Avery Preesman, Tobias Rehberger, Ad Reinhardt, Dorothea Rockburne, Ugo Rondinone, Robert Ryman, Fred Sandback, Joe Scanlan, David Schutter, Richard Serra, F.N. Souza, Ted Stamm, Jessica Stockholder, Hiroshi Sugimoto, Hiroyuki Tajima, Tony Tasset, Anne Truitt, Naama Tsabar, William Turnbull, James Turrell, Raoul Ubac, Günther Uecker, Günter Umberg, Wolf Vostell, H. C. Westermann, Amanda Williams, Karl Wirsum, Haegue Yang, Yang Jiechang, and Claire Zeisler.


Expanding Narratives

Monochrome Multitudes is part of the Smart Museum’s ongoing “Expanding Narratives” series that mobilizes collection installations to reevaluate canonic histories and curatorial strategies. The majority of the approximately 120 works on display are drawn from the Smart Museum’s collection. They are supplemented by a number of loans from UChicago alumni, Chicago-area collections, and beyond.


A multitude of voices

To make this notoriously challenging art form more accessible and inclusive, Monochrome Multitudes features audio commentary by a diverse range of voices—including UChicago students, faculty, conservators, Museum staff, and other members of the Museum’s expanded community—to promote close looking or activate select artworks with a sound experience. Guests can access the audio using QR codes found throughout the exhibition.

The exhibition also engages the University of Chicago’s intellectual community through object labels authored by faculty, students, and alumni with expertise ranging from astrophysics, neuroscience, and mathematics to law, literature, and theater.


Monochrome everywhere

Additional examples of monochrome art are on display across the University of Chicago’s campus. In conjunction with Monochrome Multitudes, visitors are invited to explore a wider world of monochrome through works of public art and unexpected groupings in the Harper Center headquarters of the Booth School of Business, the Harris School of Public Policy’s Keller Center, Reva and David Logan Center for the Arts, Media Arts, Data and Design Center at the John Crerar Library, David Rubenstein Forum, and other locations. Featured artists include Sarah Canright, Chryssa, Eduardo Consuegra, Willie Doherty, Felix Gonzalez-Torres, John Henry, Jene Highstein, Matthew Metzger, Olivier Mosset, Charlotte Posenenske, Cameron Rowland, Valerie Snobeck, Danh Vo, Michael Wilkinson, and Yui Yaegeshi.


At the University of Chicago

The exhibition serves as the sole classroom for the Art History seminar “Monochrome Multitudes,” co-taught by the curators in Autumn quarter. As part of the class, UChicago students have the opportunity to contribute their research and writing to the exhibition’s web-based audio app, a research symposium, and more.


Additional resources


Top: Installation view of the “Yellow” section of Monochrome Multitudes, showing works by Beauford Delaney, Charles and Ray Eames, Lyman Kipp, Sheila Hicks, William Turnbull, and Anne Truitt.

Claire Zeisler, Triptych, 1967, Knotted and tied dyed wool. Smart Museum of Art, The University of Chicago, Gift of Mr. and Mrs. Joel Starrels, Sr., 1973.213a-c.

Curator
Monochrome Multitudes is curated by Orianna Cacchione, Curator of Global Contemporary Art at the Smart Museum of Art and Lecturer in the Department of Art History; and Christine Mehring, Faculty Adjunct Curator at the Smart Museum of Art, Mary L. Block Professor in the Department of Art History and the College, and Affiliate Faculty in the Department of Visual Arts at the University of Chicago.

Support

Major support for Monochrome Multitudes has been provided by the Terra Foundation for American Art. Principal support has been provided by Art Bridges, Robert J. Buford, Gay-Young Cho and Christopher Chiu, Bob and Joan Feitler, the Carl & Marilynn Thoma Foundation, and the University of Chicago College Curricular Innovation Fund. Additional support has been provided by the University of Chicago’s Committee on Environment, Geography, and Urbanization; Mansueto Institute for Urban Innovation; UChicago Arts; and the Museum’s SmartPartners.

Logo for the Terra Foundation for American Art    Logo for Art Bridges    logo for Thoma Foundation

Logo for The University of Chicago College      Logo for Mansueto Institute

In-kind support for Monochrome Multitudes has been provided by Art Bridges, Suzanne Deal Booth, Chambers Fine Art, the Helen Frankenthaler Foundation, Amy Gold, Kasmin Gallery, Lisson Gallery, Volatile [redux], and Yugoexport LLC.

Support for the Monochrome Multitudes artist lecture series is provided by the Goethe-Institut and the following University of Chicago partners: Center for East Asian Studies, Center for Latin American Studies, Center for the Art of East Asia, Center for the Study of Gender and Sexuality, Department of Art History, Franke Institute for the Humanities, Institute on the Formation of Knowledge, Open Practice Committee in the Department of Visual Arts, and Wigeland Fund in the Division of the Humanities.

Logo for Goethe-Institut

Presented in the Elisabeth and William M. Landes Gallery, the Richard and Mary L. Gray Gallery, the Robert and Joan Feitler Gallery, the Joel and Carole Bernstein Gallery, the Janis Kanter and Thomas McCormick Gallery, the Edward A. and Inge Maser Gallery, and the Eunice Ratner Reception Gallery.
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