Free and open to the public
The Soviet artist and designer Viktor Koretsky (1909–1998) created aggressive, emotionally charged images that articulated a Communist vision of the world utterly unlike that of conventional propaganda.
A site-specific painting by Matthew Metzger (University of Chicago MFA 2009).
This intimate exhibition offers a rare glimpse at the experimental creative processes that generated iconic Soviet propaganda in the 1920s and 1930s.
This exhibition illustrates pivotal moments in figurative art of the last sixty years through the work of nine exceptional artists: Nick Cave, Leon Golub, Yun-Fei Ji, Kerry James Marshall, Christina Ramberg, Martín Ramírez, Ravinder Reddy, Clare Rojas, and Sylvia Sleigh.
Over the course of his career, Pop Art pioneer Andy Warhol took thousands of photographs that were never intended to be seen by the public.
This exhibition examines two centuries of works intertwined with emotion—from the sacrifice of classical heroines to the grief of ordinary people, from martyred saints to actors in tragic roles—and explores how art’s cathartic power grows or fades for new generations of viewers.
A leading artist of the 1980s, David Wojnarowicz is known for the richly aesthetic and strongly activist works that he made in response to the AIDS crisis.
This intimate exhibition charts the history of the readymade, a particular strain of twentieth- and twenty-first-century art that takes manufactured objects as primary material.
The Chinese-born artist Bingyi inaugurates the Threshold series with the specially commissioned Cascade, an enormous painting that fills the central wall in the Smart’s reception hall.
Carved into the mountains of northern China, the Buddhist cave temples of Xiangtangshan were the crowning cultural achievement of the sixth-century Northern Qi dynasty.