The exhibition Theaster Gates: Unto Thee is rooted in several core collections of objects that have been part of Gates’s artistic practice which he acquired through the University of Chicago, where he is Professor of Visual Arts. Ranging from the Department of Art History’s glass lantern slides and display vitrines from the Institute for the Study of Ancient Cultures (formerly the Oriental Institute), to paint-stained concrete from the floors of Midway Studios and wooden pews made for Bond Chapel, all objects have been discarded and identified as no longer needed. In creating new works with them over the years – and, as will be done again, in new installations at the Smart – Gates challenges that notion of stasis by instead excavating more histories, more stories. These installations will be accompanied by Gates’s more recent work including paintings, ceramics, film, and pieces incorporating the archive of the Johnson Publishing Company.
Rooted in materials and Gates’s interest in the process of making, Unto Thee embodies the relationships Gates has fostered within the University of Chicago, local communities, the South Side and broader Chicago. It underscores the artist’s unassailable belief in the potential of art to connect with and transform communities.
The exhibition is accompanied by a site-specific installation as part of the Museum’s Threshold Lobby Series, which will be on view through July 2026.
Threshold Installation
African Still Life #3: A Tribute to Patric McCoy and Marva Jolly
Presented as an open-storage museum cabinet, African Still Life #3 is a site-specific installation offered as part of the Threshold Lobby Series. Introduced in conjunction with the exhibition Theaster Gates: Unto Thee, this installation deepens Gates’s ongoing investigation of rituals of accumulation, redemption, and relational aesthetics.
