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Exhibition Images
These images are authorized for use in print and electronic media solely to promote and publicize the Smart Museum of Art's presentation of The Darker Side of Light. Please contact C.J. Lind at cjlind@uchicago.edu or 773.702.0176 to confirm exhibition and event information. To obtain images for other purposes, please refer to the Museum's Rights and Reproductions information.
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The Darker Side of Light: Arts of Privacy, 1850–1900
at the Smart Museum of Art, University of Chicago
February 11 – June 13, 2010
Anders Zorn, An Irish Girl, 1894, Etching. National Gallery of Art, Washington, Rosenwald Collection. |
Félix Bracquemond, The Moles, 1854 Etching (state v/vii). National Gallery of Art, Washington, Ailsa Mellon Bruce Fund. |
Eugène Carrière, Sleep, 1897, Lithograph. National Gallery of Art, Washington, Rosenwald Collection. |
Charles Meryon, Ministry of the Marine, Paris, 1865, Etching (state vii/vii). National Gallery of Art, Washington, Gift of Mrs. Harold Ober. |
Adolphe Appian, Nocturne (Fisherman in a Boat), 1887, Etching with monotype wiping on Chinese paper (state i/iii). National Gallery of Art, Washington, Gift of Jacob Kainen. |
Albert Besnard, Morphine Addicts, 1887, Etching. National Gallery of Art, Washington, Rosenwald Collection. |
James Ensor, The Cathedral, 1886, Etching on Japanese paper (first plate, state iii/iv). National Gallery of Art, Washington, Rosenwald Collection. |
Käthe Kollwitz, Woman with a Dead Child, 1903, Etching with drypoint, touched with graphite, charcoal, and wash (proof impression, state iv/x). National Gallery of Art, Washington, Gift of Philip and Lynn Straus, in Honor of the 50th Anniversary of the National Gallery of Art. |
François Nicolas Chifflart, Cholera in Paris, 1865, Etching with drypoint. National Gallery of Art, Washington, Ailsa Mellon Bruce Fund. |
Odilon Redon, This Is the Devil from Temptation of Saint Anthony, 1888, Lithograph on chine collé. National Gallery of Art, Washington, Ailsa Mellon Bruce Fund. |
Max Klinger, Abduction (A Glove, Opus VI), first edition, 1881, Etchings on chine collé (proof impressions). National Gallery of Art, Washington, Anonymous Gift. |