Organized by several UChicago students, this exhibition explores the eclectic range of sources and precedents that served as inspiration for nineteenth-century artists in France.
This exhibition of abstract paintings and works on paper from the 1940s and 1950s serves as a primary source for a University of Chicago Art History course.
This exhibition explores questions of perception and bodily sensation in connection to a course offered through the University of Chicago’s Stevanovich Institute on the Formation of Knowledge.
During the 1960s and 1970s, Chicago was shaped by art and ideas produced and circulated on the South Side.
Major exhibition tells the history of art by African-American artists, with a particular emphasis on abstraction, from the 1940s to the present moment.