February 1 – May 20, 2007
Cosmophilia—literally "love of ornament"—examined one of the most characteristic and attractive features of Islamic art. Covering a millennium of Islamic history in regions extending from Spain to India, this comprehensive exhibition surveyed the extraordinary range and visual virtuosity of one of the world's great artistic traditions. Organized visually by... more »
March 17 – June 10, 2007
When the traditional art of the Japanese color woodblock print was pushed near extinction at the turn of the twentieth century, a few enterprising young artists and publishers revived the old-fashioned art form. These shin hanga or "new prints" maintained traditional methods and depicted traditional birds, flowers, and landscapes,... more »
April 24 – October 21, 2007
While the German-speaking lands in nineteenth-century Europe remained divided into a host of sovereign political entities, their artists and writers championed cultural unity by reviving and celebrating the art of their past. The nascent Romantic and Nazarene movements stood in contrast to the Neoclassicism of an earlier generation. Rejecting the... more »
June 7 – September 16, 2007
Modernism was not only an innovative aesthetic recognized by its crisp forms and progressive use of materials, but it was also a way of thinking about contemporary life. Amid a backdrop of industrialization, urbanization, world war, and reconstruction, many progressive German and Austrian artists and designers dreamed of a... more »
June 16 – September 8, 2007
The diminutive engravings and woodcuts made by northern European artists in the first half of the sixteenth century may not be monumental in scale, but they contributed to nothing less than a revolution in printmaking. This flowering of activity, close on the heels of Johann Gutenberg's invention of printing... more »
September 15 – December 16, 2007
Between 1886 and 1892, Edmund Buckley assembled an extensive collection of Japanese religious objects and artworks while teaching in Kyoto. The collection formed the basis for Buckley’s doctoral work at the University of Chicago and was exhibited on campus in one of the first systematic displays of Japanese religious objects... more »
October 4, 2007 – January 6, 2008
Whether made as preparatory studies or stand-alone works, drawings offer an intimate glimpse at an artist's personality and talents. They reward close examination for their insight into the various stages of the creative process. This exhibition, organized by the Yale University Art Gallery and traveling to the Smart Museum... more »
November 6, 2007 – March 23, 2008
Audiences in different eras look at art and listen to music in dramatically different ways. The experience of looking or listening is not historically constant, but rather varies with social settings, technologies, and trends. During the nineteenth century, the habits and fashions associated with looking and listening changed rapidly.... more »
December 22, 2007 – March 16, 2008
For forty years, the self-taught artist Henry Darger lived and worked in a cluttered one-bedroom apartment on Chicago’s North Side. Teeming with objects of all sorts—from balls of string and Pepto Bismol bottles to coloring books and art supplies—the room revealed Darger’s treasured collections and aesthetic sensibility. In the... more »
June 27 – August 25, 2013
The Land Beneath Our Feet: American Art at the Smart MuseumFebruary 13 – June 15, 2014
Performing Images: Opera in Chinese Visual Culture